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Classically trained, Joshua Dean paints in the four color process, using only one color at a time – allowing the process to mimic a printer.  He graduated from The New York Academy of Art and obtained an MFA in 2008.  He has shown in NYC galleries and the Chelsea Art Museum.  He has been published in PoetsArtists Magazine, Create! Magazine and showcased on BuzzFeed, BeautifulBizarre, Super Sonic Art and Booooooom.com.  His work is in the private collections of The Clearing House and the CEO of ExxonMobil.  He recently branched out to show in Miami at the Real Men show during Art|Basel, Painting the Figure NOW at the Contemporary Museum of Art in Wausau, WI and at the Gallery at Zhou B Art Center in Chicago.

 

•Exhibitions

2020

New York Academy of Art Summer Exhibition Online, New York, NY, curated by Joeonna Bellorado-Samuels, Andrea Scott, and Alia Williams 

Light Correlations, 33 Contemporary, Chicago, IL, Artsy online exclusive, curated by & Sergio Gomez

2019

The Art of The Nude, 33 Contemporary, Chicago, IL, Artsy online exclusive, curated by Didi Menendez & Sergio Gomez

New York Academy of Art Summer Exhibition, New York, NY curated by Ben Davis, Peter Plagens, Christine Wächter-Campbell 

New York Academy of Art storefrontPaddle8 online exclusive

ART IS MONEY-MONEY IS ART, East Village Art View, New York, NY, curated by Edoardo Marcenaro

 2018

Real Men, The Mandarin Oriental, Miami FL, curated by Brooke Shields & David Kratz

The New Nude. Show with PoetsArtists, GALLERY AT ZHOU B ART CENTER, online exclusive

MEASURES, The Art Vacancy, Brooklyn, NY, curated by Sáng Huynh & Lindsey Puccio

Little But Fierce, Chashama + AANYAA, New York, NY, curated by Cameron Ledy

Painting the Figure Now, Wausau Museum of Contemporary Art, Wis. co-curated by Didi Menendez & Walt Morton

New York Academy of Art Twelfth Annual Summer Exhibition, Flowers Gallery New York, NY curated by Matthew Flowers, Nicole Berry, Alice Gray Stites, Ambre Kelly, & Richard Vine

2017

The Other Art Fair, Brooklyn Expo Center, curated by Rebecca Wilson, Maria Brito, Ashley Stewart, Jessamyn Fiore, Emily Steer & Amber Harper

Single Fare 4 at Highline Stages, New York, curated by Michael Kagan & Jean-Pierre Roy

Transaction In #Selfie Project, New York curated by Leni Smoragdova

The Figure: Interpreted Through Contemporary Mediums, Site:Brooklyn Gallery, NY, curated by Barbara A. MacAdam

2016

PICTURING THE UNPRINTABLE,  Flux Factory, Queens, NY

2010

Young Associates Show, Chelsea Art Museum, New York, NY, curated by Gordon Austin

TEAMWORK,  Allan Nederpelt Fine Arts International, Brooklyn, NY, curated by Eva K Schmidt

2009

New York Academy of Art Summer Exhibition, New York, NY curated by Anne Strauss Eric Fischl, & Matthew Flowers

2007

New York Academy of Art Summer Exhibition, New York, NY curated by Jenny Saville Vincent Desiderio, & Eric Fischl

 

•Bibliography

A5 Portfolio #26 (May 2019)

Average Art Magazine #34 (May 2019)

A5 Portfolio  #22 (Jan 2019) 

PoetsArtists Magazine, Painting the Figure NOW, Issue 95, July 2018,  curated by Walt Morton

BeautifulBizarre.net Poets & Artists: Painting the Figure Now @WMOCARichard Purssey (Jun 2018) 

A5 Portfolio  #14 (May 2018) 

Average Art Magazine #21 (Apr 2018)

Contemporary Visual Art Zine #6 The Body (Feb 2018)

Wotisart? Magazine #10  (Jan 2018)

A5 Portfolio  #10 (Jan 2018) 

BuzzFeed.com - 100 Artist Studios (Dec 2017)

A5 Portfolio  #9 (Dec 2017) 

Wotisart? Magazine #9  (Dec 2017)

BuzzFeed.com - 100 Facebook Portraits (Nov 2017)

A5 Portfolio  #7 (Oct 2017) 

Wotisart? Magazine #7  (Oct 2017)

Average Art Magazine #15 (Oct 2017)

BuzzFeed.com - Art Periods And Contemporary Art (Oct 2017)

Create! Magazine IV (Sep 2017)

         Average Art Magazine #14 (Sep 2017)

Average Art Magazine #12 (July 2017)

Wotisart? Magazine #4 (July 2017)

A5 Portfolio #4 (July 2017)

PoetsArtists Magazine, The New Nude, Issue 86, July 2017,  curated by Walt Morton.

PoetsArtists Magazine, The Portrait, Issue 83, April 2017,  curated by Lorena Kloosterboer.

Arno, Rivka, “The Art of Banking,” The Clearing House/Banking Perspectives, Quarter 3, 2016.

 

•Collections

The Clearing House, Grace Building, New York, NY

Darren Woods, CEO ExxonMobil

various private collections